Anche se nessuno mi toglie dalla testa che Twitter sia una colossale centrifuga di cazzate 7,5 volte su dieci, in questo caso bisogna fare un’eccezione.
Thoroughly persuaded as I am that Twitter is a colossal bullshit propeller 7.5 times out of ten, an exception imposes itself here.
this video is going up in a bunch of places but here's mine: my take on the AS controversy and why intentionally fanning the flames, as so many are doing, endangers Jewish people pic.twitter.com/yXgKrRBKvT
In the end, the end of May brought the end of Theresa May: her own Ides of May (if we may). She announced on Saturday morning that she would leave on June 7, after trying and failing for the umpteenth time to save her Brexit agreement with the EU, running again into the now-familiar wall of hatred and mockery from within her own party and losing yet more people from her already-battered government.
Political Turbulence: How Social Media Shape Collective Action, by Helen Margetts, Peter John, Scott Hale and Taha Yasseri. Princeton University Press. 304pp. £19.95.
Whenever asked to comment on contemporary events, it’s usually historians, rather than social scientists, who tend to suffer from what one might call an epistemological twitch: they strive to demonstrate that what is happening now has already – mutatis mutandis and with all the specificities of the epoch – happened before. A good part of their intellectual prowess is devoted to uncover this sometimes uncomfortable truth, so effectively camouflaged under the patina of the ‘new’. This has a collateral effect: the underlying, unobserved assumption that – whatever the phenomenon being analysed – its deceitful novelty is bound to beach like an agonising whale onto the ever-suspect, ideological shores of ‘it’s always been like this’, or, ‘it happened before’. Continua a leggere “The digital mess we’re in”
A disciple of Eric Hobsbawm, Donald Sassoon is Emeritus Professor of Comparative European History at Queen Mary College, University of London. He is the author of a series of texts on Italian communism, European socialism and is presently working on a magnum opus on the parable of global capitalism. An expert on modern Italy, he has been curating the Genoa historiographical festival La storia in piazza since 2007, and his books are translated in many languages. Looking at the crucial United Kingdom referendum, he harbours no doubts: The impending danger of self-exclusion of Britain from the E.U. seems to oscillate between farcical and tragic, but it could have real repercussions of unforeseen gravity.
Tempo scaduto. È il momento di votare senza voltarsi. Di chiudersi nel silenzio della cabina e confrontare i propri demoni elettorali in una manciata di secondi. Di pensare un’ultima volta se davvero si vuole dire addio per sempre alle vacanze a basso costo in Spagna in cambio di qualche negozio di alimentari polacco in meno.
British students have descended again on the streets to claim the right to study, under assault as never before from the Conservative government. The protest, organized initially by members of the National Campaign Against Fees and Cuts, eventually won the backing of many other student organizations in the wake of draconian cuts and unsustainable increases in tuition fees dictated by the Tories’ austerity agenda.
Pier Paolo Pasolini, whose notoriously controversial death happened 40years ago to the day, was the last truly great Italian intellectual of the XX century: greater than Calvino – who was maybe better than him as a novelist, but was not a poet, an essayist and most of all a film maker as PPP – and Leonardo Sciascia, whose musings on mafia-permeated Sicily were, despite their courage, more parochial.
Our popular culture is full of irrelevant anniversaries. Like that of Bohemian Rhapsody, for a start: one of the most overblown, pretentious, cheesy and nonsensical singles in the whole of popular music.
Its only merit? To encompass everything that is wrong about Seventies’ rock.
Its worst guilt? To have inspired one of the most overblown, pretentious, cheesy and nonsensical contemporary “rock” bands: Muse.
We have recently learned that the multimillionaire Andrew Lloyd Webber, the lifelong Peer who has graced our ears and eyes with countless schmaltzy musicals (wretched genre, if you ask me), has dutifully rushed back in business class from New York just in time to vote for George Osborne’s repellent tax credit cuts.
What an upper class hero!
I herewith launch a petition on Change.org to have his worldwide hit, Cats, rechristened “Fat Cats.”